ho Tweet Tweet Tweet <(unknown)> <(unknown)> <(unknown)> <(unknown)> <(unknown)> <(unknown)> <(unknown)> <(unknown)> <(unknown)> <(unknown)> <(unknown)> <(unknown)> <(unknown)> <(unknown)> <(unknown)> <(unknown)> <(unknown)> <(unknown)> <(unknown)> <(unknown)> <(unknown)> <(unknown)> <(unknown)> <(unknown)> <(unknown)> <(unknown)> <(unknown)> <(unknown)> <(unknown)> <(unknown)> <(unknown)> <(unknown)> <(unknown)> <(unknown)> <(unknown)> <(unknown)> <(unknown)> <(unknown)> <(unknown)> <(unknown)> <(unknown)> <(unknown)> <(unknown)> <(unknown)> <(unknown)> <(unknown)>

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<(unknown)> <(unknown)> <(unknown)> <(unknown)> <(unknown)> <(unknown)> <(unknown)> <(unknown)> <(unknown)> Tweet Tweet Tweet cover

<(unknown)>Greg Santos


<(unknown)>Tweet Tweet Tweet

A5, <(unknown)>32pp inc. colour, €8, December 2011
ISBN <(unknown)>979-10-90394-24-7

With <(unknown)>Tweet Tweet Tweet, Santos has created a world both elegiac and exuberant, where “wind-up owls whirr incessantly” and poets are “endlessly sculpting birds out of words.” Funny, sincere, and self-aware, these are the poems of our moment and its changing modes of reality and connection. A collection of “exquisite topiaries,” disarming and affecting. <(unknown)>Paula Bohince, author of Incident at the Edge of Bayonet Woods

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